Exhibition Design

How can we grasp Vienna in its entirety? Attempts to get a visual handle on this ever-growing city have fascinated us for centuries  – whether in the form of classic panoramas, bird’s-eye views, postcards, or city maps. Yet maps and panoramas exist in a  productive field of tension between the demands of completeness and fragmentation, between making visible and concealing, be tween orientation and control. In all cases, the result is not a depiction of “real” territory, but rather an idealized model, image, or vision of the city.

The exhibition displays not only some of the oldest, largest, or most famous maps, panoramas, and models of Vienna. How can we grasp Vienna in its entirety? Attempts to get a visual handle on this ever-growing city have fascinated us for centuries  – whether in the form of classic panoramas, bird’s-eye views, postcards, or city maps. Yet maps and panoramas exist in a  productive field of tension between the demands of completeness and fragmentation, between making visible and concealing, be tween orientation and control. In all cases, the result is not a depiction of “real” territory, but rather an idea lized model, image, or vision of the city.

The challenge was to present the work of the designers while also making the complex circumstances under which they worked tangible to the public.
The narrative and atmospheric “backbone” to the exhibition was a timeline, which, translated as a semi-transparent layered spatial structure, was positioned in the centre of the space and contained information about the development of the enterprise and the work of the designers. This presentation method ensured that the more intense phases of production, historic events and the evolution of both technology and the spirit of the age were easy to follow.

Lorem ipsum dolor sit amet, consetetur sadipscing elitr, sed diam nonumy eirmod tempor invidunt ut labore et dolore Between myths and facts. The starting point of the interactive exhibition was the aim of making the phenomenon of “hovering above” haptically sensuous and tangible. A carpet printed with cloud motifs that become a distant horizon on the wall evokes the feeling of floating above a landscape of clouds. A mirror wall reinforces the illusion of wide-open space. Further integrated installations and a flying object form the scientific stations of the exhibition. In order to focus the attention of visitors on the information and the experiments, all the objects are made from a single material, MDF.

Planet in crisis. Earth in the emergency room. Man-made ecological and social disasters threaten to make the planet uninhabitable. The situation is critical and dominated by the interests of capital, architecture and urbanism are caught up in the crisis. The exhibition “Critical Care” shows how architecture and urbanism can help to repair the future and keep the planet alive with its inhabitants. The exhibition “Critical Care” is a plea for a new attitude: for architecture and urbanism in which care is taken. 21 recent examples from Asia, Africa, Europe, the Caribbean, the USA and Latin America demonstrate that architecture and urban development do not have to submit to the dictates of capital and the exploitation of resources and labor.

The Dresden Kunstgewerbemuseum has over 55,000 inventory numbers, behind which there are many stories. The first exhibition under the new Director Tulga Beyerle sought to communicate her concept for approaching these objects.

The surrounding walls were covered with the inventory numbers of the institution.

Embedded in this abstract depository of objects, nine specific subject areas were presented in spatial, narrative and written terms on island platforms.